Photographed already at almost the midstage of this motif, I began with the sky, painting blue quickly onto dry paper and letting it bleed into wet cloud shapes. Then, the distant mountain at right was also painted below the edge of wet paper to suggest clouds over its top.
Next, a round brush was used to suggest the midrange tree-lined slope, and a different, drier, brush roughly indicates the sunny meadow on dry paper. Red paint spattered on top implies wildflowers growing there. The path is a pale wash of a fairly even mix of primary colors.
Dark midrange tree shapes now create visual space between the pale sunlit field and the distant midvalue mountains. The foreground, middle ground and background are clearly separated by value.
A few more tweaks in the form of extra darks, colorful flowers, and flying birds complete this Swiss alpine view of the Lauterbrunnen region, where we vacationed a couple of years ago.